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Tree Bound Installations by Sculptor Keith Jennings

Sculptor Keith Jennings carves wise faces into trees, revealing each wooden tower's inner spirit. Jennings first embarked on his Tree Spirits project back in 1982 when he decided to creatively manipulate a tree in his backyard with a few hand tools. Starting out as a way to kill time on a budget, the artist wound up honing his craft. Jennings was later commissioned to apply his wood sculpting skills on a series of trees throughout St. Simons Island, located right off the coast of the state of Georgia.
Sculptor Keith Jennings carves wise faces into trees, revealing each wooden tower's inner spirit. Jennings first embarked on his Tree Spirits project back in 1982 when he decided to creatively manipulate a tree in his backyard with a few hand tools. Starting out as a way to kill time on a budget, the artist wound up honing his craft. Jennings was later commissioned to apply his wood sculpting skills on a series of trees throughout St. Simons Island, located right off the coast of the state of Georgia.

Jennings took two to four days to sculpt each serene face throughout the forest, allowing them to intriguingly blend into their surroundings. (Of course, once they're spotted, it's hard not to notice their faces.) Each sculptural portrait emerges from its wooden post like a haunting sage, ready to impart some knowledge. The artist says that each face he carves into the wood is created entirely according to the tree. He insists, "I don’t have that much to do with it. The wood speaks to you, ya know?” Sculptor Keith Jennings carves wise faces into trees, revealing each wooden tower's inner spirit. Jennings first embarked on his Tree Spirits project back in 1982 when he decided to creatively manipulate a tree in his backyard with a few hand tools. Starting out as a way to kill time on a budget, the artist wound up honing his craft. Jennings was later commissioned to apply his wood sculpting skills on a series of trees throughout St. Simons Island, located right off the coast of the state of Georgia.
Jennings' Tree Spirits project is on display throughout St. Simons Island (along private and public property) and the artist has conveniently tracked each one on Google Map.
Sculptor Keith Jennings carves wise faces into trees, revealing each wooden tower's inner spirit. Jennings first embarked on his Tree Spirits project back in 1982 when he decided to creatively manipulate a tree in his backyard with a few hand tools. Starting out as a way to kill time on a budget, the artist wound up honing his craft. Jennings was later commissioned to apply his wood sculpting skills on a series of trees throughout St. Simons Island, located right off the coast of the state of Georgia. Sculptor Keith Jennings carves wise faces into trees, revealing each wooden tower's inner spirit. Jennings first embarked on his Tree Spirits project back in 1982 when he decided to creatively manipulate a tree in his backyard with a few hand tools. Starting out as a way to kill time on a budget, the artist wound up honing his craft. Jennings was later commissioned to apply his wood sculpting skills on a series of trees throughout St. Simons Island, located right off the coast of the state of Georgia.Sculptor Keith Jennings carves wise faces into trees, revealing each wooden tower's inner spirit. Jennings first embarked on his Tree Spirits project back in 1982 when he decided to creatively manipulate a tree in his backyard with a few hand tools. Starting out as a way to kill time on a budget, the artist wound up honing his craft. Jennings was later commissioned to apply his wood sculpting skills on a series of trees throughout St. Simons Island, located right off the coast of the state of Georgia.Sculptor Keith Jennings carves wise faces into trees, revealing each wooden tower's inner spirit. Jennings first embarked on his Tree Spirits project back in 1982 when he decided to creatively manipulate a tree in his backyard with a few hand tools. Starting out as a way to kill time on a budget, the artist wound up honing his craft. Jennings was later commissioned to apply his wood sculpting skills on a series of trees throughout St. Simons Island, located right off the coast of the state of Georgia.Sculptor Keith Jennings carves wise faces into trees, revealing each wooden tower's inner spirit. Jennings first embarked on his Tree Spirits project back in 1982 when he decided to creatively manipulate a tree in his backyard with a few hand tools. Starting out as a way to kill time on a budget, the artist wound up honing his craft. Jennings was later commissioned to apply his wood sculpting skills on a series of trees throughout St. Simons Island, located right off the coast of the state of Georgia.

Cambodian Deities in Trees


Imagine, if you will, walking through the streets of Phnom Penh, Cambodia. It’s a balmy evening, and while it’s dark you can still feel the day’s heat rising from the pavement slabs. You have just finished watching a film with friends, and you are returning to your inner city apartment. Imagine your surprise when you see the ghostly image of Buddha appear before you in the leaves of a tree. You blink yourself silly trying to work out whether this is your moment of truth, or whether it is the work of an amazing artist. Such was the dilemma facing Cambodians recently during Clement Briend’s exhibition, Cambodian Trees.

French photographer Briend is very good at taking pictures. He is also very good at projecting digital images onto unassuming surfaces to create interesting dichotomies. During his time away from being a professor of art at University of Valenciennes, Clement traveled to Cambodia to explore this technique. Setting these night time incarnations against an urban backdrop gives his work a uniquely haunting appeal.

“It’s a beautiful surprise when the projected spirits awaken and reveal themselves at night as though they are made of the towering trees themselves. The photographic light installations echo the spirituality of the few sprouts of nature in the predominantly urban landscapes. It is a visual imagining of the divine figures that inhabit the world, as seen through an environmentally aware spiritual eye.” – Clement Briend




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2000 years old tree in South Africa known as Tree of life

2000+years+old+tree+in+South+Africa+known+as+Tree+of+life
2000 years old tree in South Africa known as Tree of life

Amazing Graveyard of 900 Year Old Trees — Deadvlei


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Trees in a desert is an unusual enough sight but there is always the occasional oasis. Sometimes, though, the water dries up completely and given the right conditions, reminders of life can be left behing. It is estimated that these acacia trees have been dead for more than nine hundred years. Frozen in time, their twisted and contorted branches immovable even against the occasional breeze, Sleepy Hollow comes, as it were, to the desert. 


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It is little wonder that Deadvlei, a clay pan in the Namib-Naukfluft Park in Namibia attracts many photographers willing to risk the arduous journey in order to capture its intense beauty. At dawn, when the trees are silhouetted against the lemon and apricot colored sand dunes it is a perfect time for photographers to take advantage of what they call the Golden Hour. The often cloudless, dazzlingly blue sky just adds to the stunning dichotomy of color.

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Deadvlei derives its name from two languages. Self evidently, the first syllable works as an adjective and one that is instantly recognizable to any English speaker. The second, vlei, means lake or marsh in Afrikaans. The clay pan does give the impression of a lake – and that its trees are quite dead beyond argument. They last lived when William the Conqueror invaded England.

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The pan was formed when the nearby Tsauchab River flooded. This created pools and allowed the acacia and camel thorn trees to grow and flourish. Then, nine hundred years ago, the climate changed and the area was h it by drought. The sand dunes encroached on the pan, effectively cutting off the trees from the river.

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What happened next is something quite amazing. The trees did not, as you might expect, become petrified which is where the organic materials of a tree are slowly replaced by minerals. Rather, the sun scorched the trees, rendering them as black as charcoal. The dryness of the area was such that the wood could not decompose because it was so dry. The trees of Deadvlei are desiccated rather than petrified.

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Deadvlei is situated near the more famous salt pan of Sossusvlei, the name of which spookily translates in to the place of no return. It also happens to be surrounded by the biggest sand dunes in the world, the largest of which is known as Big Daddy.  These dunes have no doubt contributed to the conditions needed to preserve the trees in their dried out state, a scorched testament to their own destruction.

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Don’t be fooled, though, life always manages to find a way. Clinging to life in the pan are beetles, gerbils, ostriches, oryx, and a few other species. The plants and animals manage to cling on to their precarious existence thanks to a light morning mist which sweeps in each morning from the coast of the Atlantic ocean many miles away.

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